Book Chapter听
Sally, M., 膶avi膰, A. & Michailidis, T. 2021.I am not listening: poem object as hybrid publication in the post-digital era. In Story Work for a Just Future - Co-creating Diverse Knowledges and Methods within an International Community of Practice. Eds A. Liguori, P. Rappoport, and D. Gachago.
Granieri, N., Dooley, J & Michailidis, T. 2020. Retaining pianistic virtuosity: exploring pre-existing gestural nuances for live sound modulation., in Innovation In Music: performance, production, technology and business, Routledge (in press).
Granieri, N., Dooley, J & Michailidis, T. 2019 Harnessing ancillary microgestures in piano technique: implementing microgestural control into an expressive keyboard-based hyper-instrument, in Innovation In Music: performance, production, technology and business, Routledge. ()
Polydorou, D, Michailidis, T & Bullock, J 2015, Communication through Haptic Interaction in Digital Performance. in S Popat & N Salazar Sutil (eds), Digital Movement: Essays in Motion Technology and Performance, Palgrave Studies in Performance and Technology. 1 edn, Palgrave Macmillan, London.
Conference Proceedings/Journals
Michailidis,听T., Barlow, C., Meadow, G., & Rajabally听E. 2020. Implementing Remote Audio as a Diagnostics Tool for Maritime Autonomous Surface Ships. In Proceedings of the FRUCT鈥27. Trento, Italy, 7-9 September 2020.
Di Donato, B., Dewey, C., & Michailidis, T. 2020. Human-Sound Interaction: Towards a Human-Centred Sonic Interaction Design approach. In 7th International Conference on Movement听and Computing (MOCO 鈥20), July 15鈥17, 2020, Jersey City/ Virtual, NJ, USA.ACM, NewYork, NY, USA, 4 pages.
Michailidis, T., Barlow, C., Meadow, G., Gouch, J., Rajabally, E. 2019. Enhance Engine Room Diagnostics Through Audio-Focused VR Simulation. In proceeding of the 17th IFIP TC.13 International Conference on Human-Computer Interaction 鈥 INTERACT, 2 鈥 6 September, Paphos, Cyprus.
Michailidis, T., Barlow, C., and Marshall-Porter, J. 2019. 3D mid-air audio-haptic navigation for digital signage. In CHI 鈥19: ACM CHI Conference on Human Factors in Computing Systems, May 04-09, 2019, Glasgow, UK. ACM, New York, NY, USA, 3 pages. ()
Di Donato, B., Michailidis, T. 2019. Accessible interactive digital signage for visually impaired. In CHI 鈥19: ACM CHI Conference on Human Factors in Computing Systems, May 04-09, 2019, Glasgow, UK. ACM, New York, NY, USA, 2 pages. ()
Barlow, C., Michailidis, T., Meadow, G., Gouch, J., Rajabally, E. 2019. Using Immersive Audio and Vibration to Enhance Remote Diagnosis of Mechanical Failure in Uncrewed Vessels. In Proceedings of Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, York, UK, 27-29 March, 2019.
Michailidis, T., Hockman, J. 2018. Affordances of Vibrational Excitation for Music Composition and Performances, In proceedings of the Sound Music Computing (SMC), Limassol, Cyprus, 4-7 July 2018.
Michailidis, T. Dooley, J. Di Donato, B, Granieri, N.2018. Improvising through the senses: a performance approach with an indirect use of technology. Digital Creativity. 听
Bullock, J., Michailidis, T. & Poyade, M. 2016.听Towards a Live Interface for Direct Manipulation of Spatial Audio; Proceedings of the International Conference on Live Interfaces. REFRAME Books, Sussex. ()
Michailidis, T. & Polydorou, D. 2013. A multimodal integration of sensory feedback modalities for dance performers. Conference proceedings of the FASCINATE 2013 Conference, Falmouth University, 28-30th August ()
Bullock, J., Coccioli, L.,Dooley, J., Michailidis, T. 2013.Live Electronics in Practice: approaches to training professional performers. In Organised Sound; Volume 18, Issue 2. DOI:
Michailidis, T. & Berweck, S. 2011. Tactile Feedback Tool: Approaching the Foot Pedal Problem in Live Electronic Music. Proceedings of ICMC 2011, International Computer Music Conference, 31 July-5 Aug. 2011, Huddersfield. ()
Michailidis, T. & Bullock, J. 2011. Improving Performer鈥檚 Musicality Through Live Interaction with Haptic Feedback: A case study. Proceedings of SMC'11, 8th Sound and Music Computing Conference, 6-9 July, 2011, Padova, Italy. (PDF)