Publications (2010-13)

Recent notable publications and other research outputs (2010鈥� ) include:

Composition and Music Technology

Ed Bennett
Heavy Western, for violin and amplified ensemble (2013). Premiered London and 探花直播, March 2013.

E! for large ensemble and dance (2010). Commissioned by Orkest de Ereprijs, Artez Dance Academy and Generale Oost (Theatre); a collaboration with the choreographer Anne Van den Broek.

Even, for multitracked cello, electronics and dance (2012). Commissioned by Province Oost-Vlaanderen, Danscentrum Jette and Theater Melkweg (Amsterdam); a collaboration with the choreographers Caroline D鈥橦aese and Leena Keizer.

Organ Grinder, for large amplified ensemble and MIDI organ (2012). Commissioned by Orkest de Ereprijs and the Orgelpark Amsterdam with further assistance from a Philip Leverhulme Prize. Premiered at the Orgelpark, Amsterdam, November 2012.

Islands, for double ensemble and improvisers (2012). Commissioned by Arts Council of Ireland and Akbank Jazz Festival (Istanbul) for the joint forces of Yurodny (Ireland) and Hezarfen Ensemble (Turkey). Premiered at the Akbank Jazz Festival in Istanbul, 2012.

Jackie鈥檚 Taxi. Mini-opera for six singers and large ensemble (2012). Commissioned by Northern Ireland Opera and the 2012 Cultural Olympiad; a collaboration with the writer Stacey Gregg. Premieres: MAC Theatre, Belfast, also performed on the South Bank, London (2012).

Dzama Stories, for amplified ensemble, electronics and improvising soloist, CD recording: Decibel, dir. Ed Bennett (Quartz QTZ 2082); score published by the Irish Contemporary Music Centre. Composed 2009; CD issued 2011.

Profile CD album 鈥楳y Broken Machines鈥�, containing inter al. Stop Motion Music for ensemble(2010); Slow Down, for piano trio (2011); Ghosts, for amplified viola d鈥檃more (2008), various artists, including Decibel, cond. Daniele Rosina; Fidelio Trio; Garth Knox (NMC Recordings:NMC D169); scores published by the Irish Contemporary Music Centre; CD issued 2011.

Jamie Bullock and Lamberto Coccioli
鈥業ntegra Live: Research, Development & Practice鈥�, International Journal of Digital Computing and Applications (AICIT, Korea, 2012).

Jamie Bullock, D. Beattie and J. Turner
鈥業ntegra Live: a new graphical user interface for live electronic music鈥�, Proceedings of the 2011 NIME conference (NIME, Oslo, 2011).

Jamie Bullock and H. Frisk
鈥楾he Integra Framework for rapid modular audio application development鈥�, Proceedings of the 2011 ICMC (ICMA, UK, 2011).

Lamberto Coccioli and Jamie Bullock
Integra Live: a new software environment for the composition and performance of live electronic music (2010鈥�12): see website.

Joe Cutler
Extended Play (2013). Composed for Decibel.

Boogie Nights (2012). Composed for Orkest de Ereprijs.

Slippery Music, for piano quartet (2010). Score publ. by Contemporary Voices.

Violin Concerto, for electric violin, samples and strings (2010). Score publ. by Contemporary Voices.

Simon Hall
Hearing Ragas, BBC Radio 3, September 2012.

: BBC Radio 3 composition commission.

Liz Johnson
Is This It? Chamber opera, performed in the Linbury Studio Foyer, Royal Opera House, Covent Garden, July 2011, by The Opera Group.

Inflorescence, for saxophone and piano. Work premiered (Kyle Horch (saxophone) and Pavel Timofejevsky (piano) at St Peter鈥檚 Church, Kensington Park Road, Notting Hill, London, June 2011.

Hans Koller
Cry, Want: CD including six works by Koller, with composer also as one of the principal performers. Works contained: Nocturne, Farewell, Riff Raff, Estuary, Hermetique, Reunion. Arrangements of other works (by Charlie Parker and Jimmy Giuffre) also by Koller. PSI Records (psi 10.08: issued 2010).

Tychonas Michailidis and Jamie Bullock, 鈥業mproving Performers鈥� Musicality Through Live Interaction With Haptic Feedback: A Case Study鈥�, Proceedings of the 2011 SMC conference (SMC, Padova, 2011).

Martin Perkins and Simon Hall
Conservatoire Collection (Software library of historical instruments), distributed by Soniccouture Sound Design, London, 2012.

Edwin Roxburgh
Concerto for Orchestra. Premiered by BBC Symphony Orchestra, cond. Andrew Davis, Barbican, London, October 2010.

Howard Skempton
Five Rings Triples (2011): Commissioned for Britain鈥檚 Cultural Olympiad 2012, part of the 20 x 12 project; used by BBC Radio 3 to herald New Year 2012.

Michael Wolters
The Voyage (2012): Commissioned for Britain鈥檚 Cultural Olympiad 2012, part of the 20 x 12 project. Performed by Stan鈥檚 Cafe and 12 recorders, April 2012 at A. E. Harris Factory, 探花直播; broadcast by BBC Radio 3.

I see with my eyes closed (2010): Music theatre work commissioned by BCMG; performed at Midlands Arts Centre on 20 May 2010 by 探花直播 Contemporary Music Group and Stan鈥檚 Caf茅.

Performance

Martin Perkins
Odes, Songs, Sonatas & Divine, Moral, Entertaining: Music by Barnabas Gunn, John Pixell, Jeremiah Clark, Joseph Harris and Richard Mudge.
CD recording, Musical & Amicable Society, directed by Martin Perkins (Barn Cottage Records, BCR010: issued 2013).

Victor Sangiorgio
Fr茅d茅ric D鈥橢rlanger, Concerto symphonique (BBC Concert Orchestra, cond. Johannes Wildner: Dutton CDLX7300: issued 2013).

Benjamin Godard, Piano Concerto No. 2 and Fantaisie persane (Royal Scottish National Orchestra, cond. Martin Yates: Dutton CDLX7291: issued 2012).

Benjamin Godard, Piano Concerto No. 1; Introduction et Allegro (Royal Scottish National Orchestra, cond. Martin Yates: Dutton CDLX7274: issued 2011).

Jeffrey Skidmore
Gabrieli, Sacred Symphonies, Ex Cathedra, His Majesty鈥檚 Sagbutts & Cornetts, Concerto Palatino, dir. Jeffrey Skidmore (Hyperion CDA67957: issued 2012).

Shared Ground (Music by Alex Roth, words by Vikram Seth), Ex Cathedra, dir. Jeffrey Skidmore (Signum Classics 2 CD set SIGCD270: issued 2011).

John Thwaites
Twentieth-Century Sonatas for Cello and Piano: Delius, Bridge, Ireland, Clarke, Keys. Alexander Baillie (cello) and John Thwaites (piano). Double CD disc (Somm, SOMMCD 251-2: issued 2013).

(with Susanne Stanzeleit, Robin Ireland and Andrew Fuller)
Brahms, Piano Quartet in G minor, Op. 25; Gabriel Faur茅, Piano Quartet in C minor, Op. 15, Primrose Piano Quartet (Meridian CDE 84599: issued 2011).

Peter Maxwell Davies, Piano Quartet; Dmitri Smirnov, Quintet for Piano, Violin, Viola, Violoncello and Double Bass; (various composers,) Variations on a Burns Air, Primrose Quartet (Meridian, CDE 84586: issued 2010).

Musicology

Carrie Churnside
鈥楳usic Printing in Early Eighteenth-Century Bologna: The Case of Giuseppe Antonio Silvani and Pirro Albergati (1716鈥�1717)鈥�, Fonti Musicali Italiane, 17 (2012), pp. 105鈥�134.

Jeffrey J. Dean
鈥楾owards a Restoration of Tinctoris鈥� L鈥檋omme arm茅 mass: Coherence, Mensuration, 痴补谤颈别迟补蝉鈥�, Journal of the Alamire Foundation (Leuven: Brepols), 5 (2013), pp. 11鈥�40. (Special issue 鈥楯ohannes Tinctoris I鈥�, guest-edited by Ronald Woodley: see also David Lewis and Ronald Woodley).

Christopher Dingle
Messiaen鈥檚 Final Works: Developments in Style and Technique (Aldershot: Ashgate, 2013).

鈥楳essiaen as Pianist: A Romantic in a Modernist World鈥�, in Scott McCarrey and Lesley Wright (eds.), Perspectives on the Performance of French Piano Music, (Aldershot: Ashgate, 2012).

Steve Halfyard
鈥楥ue the Big Theme? The Sound of the Superhero鈥�, in The Oxford Handbook of New Audiovisual Aesthetics, ed.John Richardson, Claudia Gorbman and Carol Vernallis (Oxford: Oxford University Press, 2013), pp. 171鈥�193.

Music, Sound and Silence in 鈥楤uffy the Vampire Slayer鈥�, ed. Paul Attinello, Janet K. Halfyard and Vanessa Knights (Aldershot: Ashgate, 2010). (Winner of Long Mr. Pointy award for best Whedon Studies book, Whedon Studies Association, 2011).

鈥楤oldly Going: Music and Cult TV鈥�, in The Cult TV Book, ed. Stacey Abbott (I. B. Tauris: 2010), pp. 121鈥�128.

鈥樷€淓verybody scream!鈥�: Tim Burton鈥檚 Animated Gothic-Horror Musical-Comedies鈥�, in Drawn to Sound: Animation Film Music and Sonicity, ed. Rebecca Coyle (Equinox, 2010), pp. 25鈥�39.

Peter Johnson
鈥樷€淟abyrinthine Pathways and Bright Rings of Light鈥�: Hoffmann鈥檚 Aesthetics of Music in Performance鈥�, Nineteenth-Century Music Review 9 (June 2012), pp. 75鈥�92.

鈥業llusion and Aura in the Classical Audio Recording鈥�, in Recorded Music: Performance, Culture and Technology, ed. Amanda Bayley (Cambridge: CUP, 2010), pp. 37鈥�51.

David Lewis
鈥楧igital Scholarship for the New Tinctoris Edition鈥�, Journal of the Alamire Foundation (Leuven: Brepols, 2013), vol. 5, pp. 111鈥�130. (Special issue 鈥楯ohannes Tinctoris I鈥�, guest-edited by Ronald Woodley: see also Jeffrey J. Dean and Ronald Woodley).

Deborah Mawer
鈥楳usic-Dance (and Design) Relations in Ballet Productions of Ravel鈥檚 Daphnis et Chlo茅鈥�, Les Cahiers de la Soci茅t茅 qu茅b茅quoise de recherche en musique, 13/1-2 (Sept. 2012), pp. 77鈥�85.

鈥楲e jazz gallicis茅 et ravelis茅: th茅orie et pratique du 鈥渂lues鈥濃€�, in Pascal Terrien (ed.), Musique fran莽aise: Esth茅tique et identit茅 en mutation 1892-1992 (Sampzon: Les Editions Delatour France, 2012), pp. 215鈥�225.

鈥樷€淧arisomanie鈥�? La French Connection de Jack Hylton鈥�, in Vincent Cotro, Laurent Cugny and Philippe Gumplowicz (eds.), La Catastrophe apprivois茅e: Regards sur le jazz en France, Jazz en France (Paris: Outre Mesure, 2013), pp. 67鈥�99.

鈥楩rench Music Reconfigured in the Modal Jazz of Bill Evans鈥�, in Janne M盲kel盲 and Jouni Eerola (eds.), Jazz Chameleon: 9th Nordic Jazz Conference Proceedings (Helsinki: The Finnish Jazz and Pop Archive, 2011), pp. 77鈥�89. http://iipc.utu.fi/jazzchameleon/Mawer.pdf.

Ravel Studies, ed. Deborah Mawer (Composer Studies Series) (Cambridge, Cambridge University Press, 2010).

Martin Perkins
Giovanni Battista Vitali, Sonatas, Op. 5: vol. 1 (2011); vol. 2 (2011); vol. 3 (2012), ed. Martin Perkins (Launton: Edition HH, 2011鈥�12).

Graham Sadler
Jean-Philippe Rameau: 窜补茂蝉, vol. IV/15 of the complete critical edition Jean-Philippe Rameau: Opera Omnia (Kassel: B盲renreiter/Soci茅t茅 Jean-Philippe Rameau, 2011), ed. Graham Sadler, full score.

Shirley Thompson
Marc-Antoine Charpentier, Amor vince ogni cosa, Pastoraletta 1a, H492, for five voices, two treble instruments and basso continuo, ed. Shirley Thompson (Launton: Edition HH, 2013).

鈥楥harpentier and the Language of Italy鈥�, in Musique 脿 Rome au XVIIe si猫cle, ed. Caroline Giron-Panel and Anne-Madeleine Goulet (Rome: L鈥櫭塩ole fran莽aise de Rome, 2012), pp. 423鈥�438.

New Perspectives on Marc-Antoine Charpentier, ed. Shirley Thompson (Aldershot: Ashgate, 2010).

Ronald Woodley
鈥楾inctoris鈥檚 Family Origins: Some New Clues鈥�, Journal of the Alamire Foundation (Leuven: Brepols, 2013), vol. 5, pp. 69鈥�94. (Special issue 鈥楯ohannes Tinctoris I鈥�, guest-edited by Ronald Woodley: see also Jeffrey J. Dean and David Lewis).

鈥楤russels, Biblioth猫que Royale, MS II 4147: The Cultivation of Johannes Tinctoris as Music Theorist in the Nineteenth Century鈥�, in Ars musica septentrionalis: De l鈥檌nterpr茅tation du patrimoine musical 脿 l鈥檋istoriographie, ed. Barbara Haggh and Fr茅d茅ric Billiet, with Claire Chamiy茅 and Sandrine Dumont (Paris: Presses de l鈥橴niversit茅 Paris-Sorbonne, 2011), pp. 121鈥�158.