探花直播

Senior Lecturer - BMus, MMus, PGDip, (as well as supervising research students)

• Edited volume:聽Transitions in Mid-Baroque Music: Style, Genre and Performance聽(for Boydell press), with chapter on Giacomo Antonio Perti鈥檚聽Cantate morali e spirituali, op. 1 (in preparation)
• Study of the composer Count Pirro Albergati's strategies for patronage in Bologna c. 1700
• Edition of Muzio Scevola for the Hallische H盲ndel-Ausgabe

• Italian Baroque music
• The Italian cantata, oratorio and opera
• Music printing and publishing in the聽17th and early 18th centuries
• Relationships between text and music

• PhD (2008) and MPhil (2004) in Music (University of 探花直播)
• BA (Hons) (First class) English and Music (2002), University of 探花直播聽
• PGCert in Teaching and Learning in Higher Education (2011), 探花直播

Carrie is module co-ordinator for:

• 听听听听听听听听 Music and Ideas (Postgraduate)
• 听听听听听听听听 Research Project (Postgraduate)
• 听听听听听听听听 Independent Scholarship in Music (Postgraduate)

Carrie also teaches on the following modules:

• 听听听听听听听听 Contextual Specialisms (Women in Music; The Genesis of Genre in Baroque Italy: BMus 3)
• 听听听听听听听听 Historical Performance Practice (postgraduate)
• 听听听听听听听听 Performance Traditions 1

Research Supervision

Carrie would like to hear from potential research/graduate students with interests in her research areas.

Completed research

• Embodied Knowledge: The Case of Ensemble Performance
• Gaspar Cassad贸鈥檚 Cello Arrangements and Performance Style
• Metta Vee: Studies in Polystylistic Musical Composition
• Anubis: A Triptych of Orchestral Pieces
• The Sound of Gaud铆: Methods of Interpreting Antoni Gaud铆鈥檚 Building Designs Into The Domain of Musical Composition
• The Masses of Francesco Foggia (1604-1688) (Director of Studies)
• The Use of Instruments in English Church Music c. 1575-1675
• Quilt Song: Exploring New Ways of Creating and Composing Opera
• Britten鈥檚 Performance Annotations

Current research

• The Motet Collections of Florido De Silvestris (Director of Studies)
• The Punk Orchestra: Composing for the Self-Organised Large Ensemble
• Living in and through our bodies: somatic principles that support the experience of pain and discomfort.

鈥楳usical Discourse in Italy 1500-1800鈥� in聽Cambridge History of Music Criticism, ed. by Christopher Dingle (Cambridge: Cambridge University Press, 2019), 42-61.

鈥樷�淪'oda in Ciel sempr'ecchegiare: Viva pur Felsina viva!鈥�: Patriotism in Bolognese Oratorios鈥� in聽Dramma scolastico ed oratorio nell'et脿 barocca, ed. by Nicol貌 Maccavino (Reggio Calabria: Edizioni del Conservatorio di Musica 鈥淔. Cilea鈥�, 2019):聽

鈥�鈥�,听Journal of Seventeenth-Century Music, 20 (1) (2014/2017)

'Text-Music Relations in the Early Settecento: The Case of聽Il Trionfo della Carit脿',听Ars Lyrica聽21 (2012), 1-16.

'Music printing in early eighteenth-century Bologna: the case of Giuseppe Antonio Silvani and Pirro Albergati (1716-1717)',听Fonti musicali italiane聽17 (2012), 105-134.

'Colonna's Cantatas for Modena and Florence: Art and Music Combined' in聽La cantata da camera intorno agli anni italiani di H盲ndel: problemi e prospettive di ricerca, ed. Teresa M. Gialdroni (Rome: Accademia Nazionale di Santa Cecilia, 2009), 129-152

'',听British Postgraduate Musicology, 8 (2006)

Reviews

Review of聽The Italian Cantata in Vienna: Entertainment in the Age of Absolutism聽by Lawrence Bennett in聽Music and Letters, 96 (2015), 277-8.

'A Wealth of Cantatas',听Early Music聽42 (2014), 133-6.

Review of Rosanna Scalfi Marcello,听Twelve Cantatas for Alto Voice and Basso Continuo, ed. Deborah Haynes and John Glenn Paton,听Eighteenth-Century Music聽10 (2013), pp. 299-301.

Review of concert performance of Agostino Steffani's聽Orlando generoso聽at the Barber Institute (September 2012) in聽17th-Century Music, Newsletter of the SSCM, Spring 2013.

Review of Tomaso Giovanni Albinoni,听The Cantatas for Soprano and Basso Continuo in the Staatsbibliothek zu Berlin, ed. Michael Talbot,听Eighteenth-Century Music聽8 (2011), 133-5.

Review of聽Bolognese Instrumental Music, 1660-1710聽by Gregory Barnett,听Notes: Quarterly Journal of the Music Library Association聽66 (2009), 301-3.

Sleeve-notes for Academia Montis Regalis's recording of Alessandro Scarlatti's聽Davidis pugna et Victoria聽(Hyperion records; October 2009).

'Seicento Naples',听Early Music聽37 (2009), 118-9.

'Italian Handel Conferences',听The Handel Institute Newsletter聽19 (2008), 5.

'Ghizzolo and Gagliano',听Early Music聽35 (2007), 648-649.

Conference Papers

鈥楬andel 鈥渆asily triumphed over the others鈥�: The Third Act of the Composite Opera Muzio Scevola (1721) by Amadei, Bononcini and Handel, L鈥檜ltimo Atto nell鈥檕pera del Settecento, Conservatorio di Musica Francesco Cilea, Reggio Calabria (online), October 2021 (invited paper).

鈥榃hen the Composer is also a Count: Patronage and Power Relationships in the Case of Pirro Albergati鈥�. Music Patronage in Italy from the 15^th to the 18^th Century, Centro Studi Opera Omnia Luigi Boccherini, Lucca, November 2019; Nineteenth Biennial Conference on Baroque Music, Royal 探花直播 Conservatoire, July 2021.

鈥�Muzio Scevola: Amadei, Bononcini and Handel鈥檚 Responses鈥�. Eighteenth Biennial Conference on Baroque Music, Cremona, July 2018.

鈥極pera in Bologna at the Turn of the Eighteenth Century: Papers from the Albergati Archive鈥�. Twenty-third annual conference of the Societ脿 Italiana di Musicologia, Verona, October 2014.

鈥�Che Roma viva di sensi priva 猫 vano pensier: Depictions of the Senses in mid-Seicento Roman Sacred Song鈥�. Sixteenth Biennial Conference on Baroque Music, Salzburg, July 2014.

'Reflections on Working on Italian Music Printing in the Early Eighteenth Century: The Case of Giuseppe Antonio Silvani'. Music Printing and Publishing in Early Modern Italy: New Approaches. Venice, February 2014 [invited paper].

'"O Reno, o Reno, o fortunato fiume": Patriotism in Early Settecento Bolognese Oratorios. Dramma scolastico ed oratorio nell'et脿 barocca. Reggio Calabria, October 2012.

'Musical Patronage in Bologna at the Turn of the Eighteenth Century: Papers from the Albergati Archive'. Fifteenth Biennial Conference on Baroque Music, Southampton, July 2012.

'Text-Music Relations in Early Settecento Oratorio: The Case of聽Il trionfo della carit脿'. Eighteenth annual conference of the Societ脿 Italiana di Musicologia, Genoa, October 2011.

'The war in words: the Ottoman conflict depicted in Bolognese cantatas'. Fourteenth Biennial International Conference on Baroque Music, Belfast, July 2010.

(with Giulia Giovani) 'The Bolognese music printing firm of Silvani as revealed by archival documents'. European Sacred Music 1500-1800: New Approaches, Fribourg, Switzerland, June 2010.

'"Che Roma viva de' sensi priva 猫 vano pensier": The Seventeenth-Century Sacred Cantata in the Papal States'. Public lecture delivered at the British School at Rome, June 2009.

'Colonna's Cantatas for Florence and Modena: Art and Music Combined', RMA Annual Conference, Aberdeen July 2008; Accademia Nazionale di Santa Cecilia's conference 'La cantata negli anni italiani di H盲ndel', Rome, October 2007.

'A Poetic Approach to Bolognese Sacred Cantatas'. Thirteenth Biennial International Conference on Baroque Music, Leeds, July 2008.

Theses

'A Study of Sacred Cantatas Printed in Bologna (1659-1717)' (PhD, 探花直播, 2008)

'Colonna's Cantatas for the Medici: A Study of GB-Lbm Add. MS 27931' (MPhil, 探花直播, 2004).