Scores/Critical Editions
Joseph Bologne, Chevalier de Saint-Georges, Symphonie Concertante in E flat, op. 13, no. 1. First performance 2nd February 2022 by BBC Philharmonic conducted by Ben Gernon at Media City, Salford. Broadcast live on BBC Radio 3.
Joseph Bologne, Chevalier de Saint-Georges, Symphonie Concertante in C major, op. 6, no. 2. First performance 4th November 2022 given by BBC Philharmonic conducted by Jack Sheen at Media City, Salford. Broadcast live on BBC Radio 3.
Joseph Bologne, String Quartet in E flat, Op. 1, No. 2. First performance 26th October 2022, given by the Jabulani Quartet at Royal 探花直播 Conservatoire.
, orchestration realized by Christopher Dingle听(Paris: 脡ditions Alphonse Leduc, 2015 (hire material); 2022 (critical score)). World premiere at BBC Proms by BBC Philharmonic, conducted Nicholas Collon, 7th August 2015. Broadcast live on BBC Radio.
Books
Julian Anderson and Christopher Dingle,听听(Martlesham: Boydell & Brewer, 2020) 鈥撎470 pages.听[Hardback, Paperback and ebook]
Christopher Dingle (ed.),听 (Cambridge: Cambridge University Press, 2019) 鈥 842 pages.听[Hardback, Paperback and ebook]
听(Farnham: Ashgate, 2012) 鈥撎392 pages.听[Hardback, Paperback and ebook]
Christopher Dingle and Robert Fallon (eds), 听(Farnham: Ashgate, 2013) 鈥撎388 pages.听[Hardback, Paperback and ebook]
Christopher Dingle and Robert Fallon (eds), 听(Farnham: Ashgate, 2013) 鈥撎464 pages.听[Hardback, Paperback and ebook]
(Cambridge University Press, 2007)听听鈥撎261 pages.听[Hardback and Paperback]
Christopher Dingle and Nigel Simeone (eds), 听(Aldershot: Ashgate, 2007)听鈥撎378听pages.听[Hardback, Paperback and ebook]
Book Chapters
鈥脡clairs sur l鈥橝u-Del脿鈥: Messiaen鈥檚 Career after his Final Work鈥 in 听(Rennes: Presses Universitaires de Rennes, 2020), pp. 129鈥39.
鈥楥omparing Notes: The Impact of Recording on Criticism鈥 in Dingle (ed.), 听(Cambridge University Press, 2019), pp. 249鈥71.
鈥榃ider still and wider: British Music Criticism since WWII鈥 in Dingle (ed.), 听(Cambridge University Press, 2019), pp. 629鈥47.
Christopher Dingle and Dominic McHugh: 鈥楽top the Press: Changing Media for Criticism鈥 in Dingle (ed.), 听(Cambridge University Press, 2019), pp. 693鈥706.
鈥楥ommission and Omission: the Canon according to Messiaen鈥 in Deborah Mawer (ed.), , (Routledge, 2017), pp. 214-32.
鈥楳essiaen as pianist: a Romantic in a Modernist world鈥 in Scott McCarrey and Lesley Wright (eds), 听(Farnham: Ashgate, 2014) pp. 29-50.
鈥楶layers and pianos: an overview of early recorded resources for the French piano repertoire鈥 in Scott McCarrey and Lesley Wright (eds), 听(Farnham: Ashgate, 2014), pp. 125-49.
鈥楢 Love without Influence? Messiaen and Mozart鈥 in Dingle and Fallon (eds), 听(Farnham: Ashgate, 2013), pp. 217鈥33.
鈥榊vonne Loriod: Source and Influence鈥 in Dingle and Fallon (eds), 听(Farnham: Ashgate, 2013), pp. 197鈥210.
鈥楳essiaen鈥檚 Sacred Machines: Mechanical Procedures in Messiaen鈥檚 Music鈥 in Dingle and Fallon (eds), 听(Farnham: Ashgate, 2013), pp. 13鈥32.
鈥楧iscography of Commercial Recordings by Yvonne Loriod鈥 in Dingle and Fallon (eds), 听(Farnham: Ashgate, 2013), pp. 323鈥38.
Christopher Dingle and Robert Fallon, 鈥楢 Critical Catalogue of Messiaen鈥檚 Music, Writings, and Recordings鈥 in Dingle and Fallon (eds), 听(Farnham: Ashgate, 2013), pp. 363鈥406.
鈥楩rescoes and Legends: the sources and background to Saint Fran莽ois d鈥橝ssise鈥 in听Dingle and Simeone (eds), 听(Aldershot: Ashgate, 2007), pp. 301鈥322.
鈥楥atalogue of works and Discography鈥 in Peter Hill (ed.), The Messiaen Companion听(London: Faber, 1995), pp. 536鈥65.
Journal Articles
Dingle, Christopher and Laura Hamer. 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. In: Clare Mills, Michael Pidd and Esther Ward. . Sheffield: HRI Online Publications, 2014.听
鈥楩orgotten offerings: Messiaen鈥檚 first orchestral works鈥 Tempo, 241 (July 2007), pp. 2鈥21.
鈥楲a statue reste sur son pi茅destal: Messiaen鈥檚 La Transfiguration and Vatican II鈥. Tempo, 212 (April 2000), pp. 8鈥11.
鈥楥harm and Simplicity - the works of Olivier Messiaen's final years'. Tempo, 192 (April 1995), pp. 2鈥7.
Theses
Understated charm: style and technique in the last works of Olivier Messiaen, 2 volumes (PhD; Sheffield, February 2000).
Mystery and light: Olivier Messiaen's La Transfiguration de Notre-Seigneur, J茅sus-Christ, 2 volumes (MPhil; Sheffield, September 1994).
Journal Reviews
鈥The Vocal Score for Messiaen鈥檚 Saint Fran莽ois d鈥橝ssise鈥, MLA Notes 70/2 (December 2013), 332-336.
鈥Messiaen鈥檚 Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. By Siglind Bruhn; Messiaen鈥檚 Explorations of Love and Death: Musical Signification in the 鈥樷楾ristan Trilogy鈥欌 and Three Related Song Cycles. By Siglind Bruhn; Messiaen鈥檚 Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera. By Siglind Bruhn鈥 in Music and Letters 91 (3) (August, 2010), 457-62.
鈥Messiaen Studies edited by Robert Scholl; Olivier Messiaen: A Research and Information Guide by Vincent P. Benitez鈥, in Tempo, 246 (October 2008), 70-72.
鈥楶eter Hill & Nigel Simeone: Olivier Messiaen: Oiseaux exotiques鈥, in Tempo, no.243 (January 2008), 65-70.
鈥Ravel: Analyses des 艗uvres pour Piano de Maurice Ravel [in French] by Olivier Messiaen and Yvonne Loriod-Messiaen. Durand (United Music Publishers); Technique of my Musical Language by Olivier Messiaen, English translation by John Satterfield, Alphonse Leduc (United Music Publishers).鈥 in Tempo, 231 (January 2005), 61-2.
鈥Trait茅 de rythme, de couleur, et d鈥檕rnithologie (1949鈥92), Tome V, volumes 1 & 2, Tome VI & Tome VII by Olivier Messiaen鈥, Tempo, 227 (January 2004), 41-45.
鈥Trait茅 de rythme, de couleur, et d鈥檕rnithologie, Tome IV by Olivier Messiaen (book); Le tombeau de Paul Dukas for piano solo, doigt茅s et r茅vision de Yvonne Loriod-Messiaen (score)鈥, Tempo, 205 (July 1998), 26-27.
鈥楯ean Barraqu茅: Debussy鈥, Tempo, 202 (October 1997), 22-3.
鈥Trait茅 de rythme, de couleur, et d鈥檕rnithologie (1949鈥1992), Tomes II & III by Olivier Messiaen; La Classe de Messiaen by Jean Boivin (books)鈥, Tempo, 202 (October 1997), 25-26.
鈥楳别蝉蝉颈补别苍: 罢耻谤补苍驳补濒卯濒补-厂测尘辫丑辞苍颈别 (study score) / La Ville d鈥橢n-Haut (full score) / Un Sourire (full score)鈥, Musical Times (August 1995), 432.
鈥楤oulez in Webern and Ligeti鈥 - review of Deutsche Grammophon discs 437 786-2 and 439 808-2, Tempo, 194 (October 1995), 57-58.
鈥Trait茅 de rythme, de couleur, et d鈥檕rnithologie (1949鈥1992), Tome I, by Olivier Messiaen (book); Music and color (book); complete organ works (CD 鈥 Gillian Weir); La Nativit茅, etc. (CD 鈥 Olivier Messiaen)鈥, Tempo, 192 (April 1995), 20-32.
Invited Papers
, , January 2022.
'Messiaen's French Internationalism' - keynote speech, Tbilisi International Musicological Conference, April 2021.
鈥楤eyond Lateness: On Messiaen and Edward Said鈥, University of Nottingham, March 2019.
鈥楳essiaen, Truth and Reality鈥 - Norsk Lydinstitutt, Stavanger, November 2018.
鈥楶rophets of Doom (and the Doom of Profit): The End of British Music Criticism鈥檚 Golden Age?鈥 鈥 keynote paper, Th茅ories et Conceptions de la critique musicale au xxe si猫cle, Universit茅 libre de Bruxelles, October 2015.
鈥楳essiaen, Truth and Reality鈥 鈥 Messiaen鈥檚 World and the Vingt Regards', King鈥檚 College, London.
鈥楾ruth, Reality and Messiaen鈥檚 Transfiguration of Nature鈥 鈥 keynote speech, Environs Messiaen, Cornell University, March 2015.
鈥楩alse Memories and Dissonant Truths: In Search of Music Criticism鈥檚 Golden Age鈥, Music Seminar Series, Kingston University, November 2014.
鈥極n Messiaen, Late Style and Edward Said鈥, Music Seminar Series, Bangor University, March 2013.
鈥楶rophets of doom and the doom of profit: Music Criticism in the 21st Century鈥, - SMA Study Day on Performance Criticism, IMR, London, December 2009.
鈥楴ot nice, but truthful: faith and the faithful in Messiaen鈥檚 music鈥 鈥 keynote speech, Messiaen Symposium, Stavanger, November 2008.
鈥楳essiaen鈥檚 Late Organ Music鈥, co-presentation with David Titterington, Research Forum, Royal Academy of Music, October 2008.
Participation in round table 鈥 Symposium: Interpreting Messiaen's Piano Music, Royal Academy of Music, October 2008.
Participation in round table 鈥 Messiaen Weekend, Royal Northern College of Music, May 2008.
Other Conference Papers
鈥楳usical traits of Joseph Bologne, Chevalier de Saint-Georges鈥, RMA Annual Conference, Durham, September 2022.
鈥楲es Ma卯tres de son Voix: Borrowing and Truth in Messiaen鈥 and convenor of Messiaen panel, 11th Biennial Conference on Music Since 1900, Huddersfield, September 2019.
鈥楾he Transfiguration of Messiaen (Studies)鈥, RMA Annual Conference, Manchester, September 2019.
鈥楳iddle-Aged Style: On Messiaen, Edward Said and Lateness鈥, AMS Annual Conference, Rochester, November 2017.
鈥脡clairs and the Messiaen Archive鈥 and convenor of Messiaen panel, 10th Biennial International Conference on Music Since 1900, Surrey, September 2017.
鈥楻evelations in "Paradis": First Insights from the Messiaen Archive鈥, RMA Annual Conference, Liverpool, September 2017.
鈥楲es Ma卯tres de son Voix: Messiaen鈥檚 Voice(s) in the 1930s鈥, Music, Intertextuality, & Inter-Art Forms in Third Republic France: Remembering Paul Dukas at 150 Conference, Maynooth, July 2015
鈥楩rom the Cahiers to the Scores: Charting Messiaen鈥檚 Thoughts for Des Canyons aux 茅toiles鈥鈥 鈥 paper given as part of themed session 鈥楪limpses of the Ma卯tre鈥檚 Workbench: New Research on Messiaen鈥檚 Sources鈥 (also convenor and chair), RMA Annual Conference, IMR, London, September 2013.
鈥楥ommission and Omission: the Canon according to Messiaen鈥 鈥 paper given as part of plenary themed session 鈥楳essiaen, Formation and the Canon鈥 (also convenor and chair), 8th Biennial International Conference on Music Since 1900, Liverpool Hope, September 2013.
Christopher Dingle and Laura Hamer, 鈥楾he Puccini Paradox: Critics, Unpopular Prejudice and the Populist Canon鈥 鈥 Royal Musical Association Love to Death: Transforming Opera听Conference, Cardiff, May-June 2012.
鈥楢fter Messiaen鈥檚 Late Style鈥 鈥 Royal Musical Association Love to Death: Transforming Opera听Conference, Cardiff, May-June 2012.
Christopher Dingle and Laura Hamer, 鈥楢 Varied and Diverse Landscape: Criticism of New Music at The Times Pre- and Post- the Appointment of Glock鈥 - New Music in Britain Conference, Canterbury, May 2012.
Christopher Dingle and Laura Hamer, 'Ambassadors, Battlelines and the Progressive Canon: the evolving reception of New Music in The Times since World War Two', 鈥 Seventh International Conference on Music Since 1900, Lancaster, July 2011.
Christopher Dingle and Laura Hamer, 鈥楨volutions and Revolutions: A New Methodology for the Application of Digital Resources to Music Criticism鈥, 鈥 RMA Horizons听Conference, Sussex, July 2011.
鈥脡clairs sur l鈥橝u-Del脿鈥: Messiaen鈥檚 music after his final work鈥, 鈥 Colloque International: Le grand 芒ge et ses 艙uvres ultimes, Universit茅 de Poitiers 鈥 GERHICO, December 2009.
鈥楳essiaen as pianist: a Romantic in a modernist world鈥, 鈥 Symposium: Interpreting Messiaen's Piano Music, Royal Academy of Music, October 2008.
鈥楢 love without influence? Messiaen and Mozart鈥 鈥 Messiaen 2008 International Centenary Conference, 探花直播 Conservatoire, June 2008.
鈥楻ecording Messiaen: a Romantic in a modernist world鈥 鈥 French Analysis and Performance, BYU Hawaii, November 2007.
鈥楻ecording Messiaen: a Romantic in a modernist world鈥 - CHARM/RMA conference, Royal Holloway, September 2007.
鈥楽ymbols, Tam Tams and Wisdom: The Influence of Vatican II and Transcendence in Messiaen鈥榮 La Transfiguration de Notre-Seigneur, J茅sus-Christ鈥 鈥 FMCS Meeting 2007, Yale, March 2007.
鈥楾he Mysterious Workings of Liberty: Mechanical Procedures in Messiaen鈥檚 Natural and Theological Works鈥 鈥 Fourth Biennial International Conference on Twentieth-Century Music, Sussex, August 2005.
鈥楴atural selection: understanding the distribution of material in Messiaen鈥檚 birdsong choruses鈥 鈥 Third Biennial International Conference on Twentieth-Century Music, Nottingham, June 2003.
鈥楳ystery and Light: Faith and the Faithful in La Transfiguration鈥 鈥 Messiaen 2002 International Conference, Sheffield University, June 2002.
鈥楬armonic Transfiguration: The Evolution of Messiaen鈥檚 Approach to Tonality, Colour and Self-analysis鈥 鈥 Second Biennial International Conference on Twentieth-Century Music, Goldsmiths, June 2001.
鈥業lluminating Lightning Flashes: Motivic Development and Harmonic Structure in Late Messiaen鈥 鈥 Form and Forming in Music conference, Anglia Polytechnic University, April 2000.
鈥楾he Simple, the Complex and the Superfluous in Olivier Messiaen鈥檚 La Transfiguration de Notre-Seigneur J茅sus-Christ鈥 鈥 Royal Musical Association research conference, Southampton University, January 1998.
鈥楾he problem with Messiaen: A Reflection upon Inconspicuous Interpretational and Analytical Difficulties in the Music of Olivier Messiaen鈥 鈥 Towards the Millenium conference, Cardiff University, March 1996.
鈥楥harm and Simplicity: Messiaen鈥檚 Last Decade鈥 鈥 RMA research conference, Manchester University, December 1994.
鈥楲ight and Transcendence: An introduction to Olivier Messiaen鈥檚 La Transfiguration de Notre-Seigneur J茅sus-Christ鈥 鈥 Royal Musical Association Northern Chapter meeting, Edinburgh University, December, 1994.
鈥Saint Fran莽ois d鈥橝ssise: The Spirit of Messiaen鈥檚 Opera鈥 鈥 Royal Musical Association research conference, Hull University, December, 1993.
Selected Journalism
Reviews of recordings every month for BBC Music Magazine since 1994 (c.900 in total)
鈥楤uilding a Library: Debussy Pr茅lude 脿 l鈥檃pr猫s-midi d鈥檜n faune鈥, BBC Music Magazine (May 2014).
鈥楧别产耻蝉蝉测鈥檚 Jeux鈥, BBC Music Magazine (February 2011).
鈥極livier Messiaen鈥 鈥 composer of the month article in BBC Music Magazine (February 2011).
鈥極livier Messiaen鈥, in The Great Composers, BBC Music Magazine publication, 2010.
鈥楢ll Creatures Great and Small鈥, BBC Music Magazine (July 2009), pp.30-33.
鈥楽tudying the Ma卯tre鈥, Organists鈥 Review (November 2008), 29-33.
鈥楳essiaen Centenary Article鈥, BBC Music Magazine (November 2008).
鈥楽in isn鈥檛 interesting, I prefer flowers鈥, The Guardian (29 August 2008), Film & Music, p.17.
25 entries (Lili Boulanger, Messiaen and Stravinsky) in 1001 Classical Recordings You Must Hear Before You Die, Matthew Rye (ed.) (Cassell, 2007).
鈥楳ore than an outsider: Messiaen鈥檚 Saint Fran莽ois d鈥橝ssise in Paris鈥, The Tablet (23 October 2004).
鈥楬enri Dutilleux鈥 鈥 composer of the month article in BBC Music Magazine (April 2004).
鈥楩lashes of eternity in an Indian summer鈥 - article on Messiaen鈥檚 脡clairs sur l鈥檃u-del脿鈥 in The Independent (10 March 2000), Friday Review, p.15.
鈥楬omage to the master of birdsong: Messiaen Birthday Concert, CBSO Centre鈥 in The Independent (16 December 1998), Wednesday Review, p.10.
鈥極livier Messiaen鈥 - composer of the month article in BBC Music Magazine (December 1998).
鈥楾he hope that can conquer cynicism鈥 - article on Messiaen鈥檚 脡clairs sur l鈥檃u-del脿鈥 in The Herald (14 October 1998).
鈥楾his one goes out to God鈥 - article on Messiaen鈥檚 La Transfiguration in The Independent (25 September 1998).
鈥楢n instrument for Messiaenic devotion鈥 - article in The Independent (8 May 1998).
鈥楽迟谤补惫颈苍蝉办测鈥檚 艗dipus Rex鈥 - review of new production at the Ch芒telet, Paris in The Independent (18 November 1996).
鈥榃hat is perfection in a Performance?鈥 - article in BBC Music Magazine (August 1995), pp. 30-1.
鈥楴ot of the next world, but of this鈥 - article on the rediscovery of Olivier Messiaen鈥檚 Chant des d茅port茅s in The Independent (17 March 1995).
Reviews of the 1994 Huddersfield Contemporary Music Festival in The Independent (22 November, 23 November and 02 December 1994).
鈥極livier Messiaen: Concert 脿 4鈥 - review article of the posthumous world premi猫re at the Bastille, Paris, in The Independent (30 September 1994).