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Irish composer Ed Bennett was born in Bangor, Co.Down. His music, which has been described in the press as 鈥榓narchic鈥� (Irish Times), 鈥榤anic鈥� (Classical Music) and 鈥榯hrilling鈥� (Gramophone) is often characterized by its strong rhythmic energy, extreme contrasts and the combination of acoustic, electronic and multimedia elements; it was recently described in The Guardian as 鈥榰nclassifiable, raw-nerve music of huge energy and imagination鈥� and by Sinfini Music as 鈥榦ne of the most scintillating voices to emerge of late from the British Isles.鈥� His body of work includes large-scale orchestral works, ensemble pieces, solo works, electronic music, opera, installations and works for dance and film.

He performs with and directs his own ensemble, Decibel, which is dedicated to the performance of new and experimental cross-discipline work and with whom he recently released two critically acclaimed CDs of his music. Dzama Stories (Quartz Music) was described as 鈥榓 glorious addition to the contemporary canon鈥�I haven鈥檛 heard a disc of Irish Composition as vital and as urgent as this in a long while鈥� (Musical Criticism, 5/5 stars) and My Broken Machines (NMC) was Chicago Time Out鈥檚 No.1 Contemporary CD of 2011. Two further portrait CDs of his music are currently in preparation for release in 2016.

He has been commissioned and performed the world over by many diverse artists, ensembles and organisations including the BBC, RTE, PRSF, Music Network, Moving On Music, 2012 Olympics, Integra and the arts councils of England, Ireland and N.Ireland. Noted collaborators and performers of his work include the BBC Symphony and Philharmonic Orchestras, the National Orchestra of Belgium, RTE National Symphony Orchestra of Ireland, Ulster Orchestra, the London Sinfonietta, Crash Ensemble, Icebreaker, Riga Sinfonietta, Orkest de Ereprijs, Fidelio Trio, Berlin Percussion Ensemble, Ensemble SurPlus, Lontano, Concorde, the Smith Quartet, Noszferatu, Ensemble Ars Nova, Garth Knox, Pedro Carneiro, Reinbert de Leeuw, James MacMillan, Darragh Morgan, Mary Dullea, Rolf Hind and Paul Dunmall. Ed has also enjoyed collaborations with several visual artists and choreographers including those with Juneau Projects and the award-winning Belgian choreographer Ann Van den Broek. His work has been featured in festivals such as Gaudeamus (Amsterdam), Musica Viva (Portugal), Huddersfield, Spitalfields, Bath, City of London, Homecoming (Moscow), Crash, Sonorities, Sonic Circuits (USA), Bourges, the BMIC Cutting Edge Series, Soundings (London/Vienna), News from the UK (South Bank), Integra and at New Music/New Ireland in Carnegie Hall, New York. In 2008 Ed Bennett was the first composer in residence at the Irish Cultural Centre in Paris, France.

Recent projects include 鈥極ut of Nowhere鈥� a large-scale work for piano and electronics for Xenia Pestova (PRSF Beyond Borders commission), 鈥楽uspect Device鈥� for amplified ensemble for Icebreaker (Britten-Pears commission),聽an opera in collaboration with the writer Stacey Gregg (commissioned by Northern聽Ireland Opera for the 2012 Cultural Olympiad), 鈥業nternal Organs鈥� for聽mechanical organ and ensemble for the聽Dutch ensemble Orkest de Ereprijs (commissioned by the Orgelpark, Amsterdam), 鈥楬eavy Western鈥� for violin and ensemble for Barbara Lueneburg and Decibel and 鈥楩reefalling鈥� for the RTE National Symphony Orchestra of Ireland (commissioned by RTE). Future commissions include those for Garth Knox, the Crash Ensemble, Syzygy Saxophone Quartet, Decibel and Northern Ireland Opera. He is represented by the Irish Contemporary Music Centre and Composers Edition Publishing聽where further scores and recordings of his music can be obtained. In 2012 Ed Bennett was awarded the prestigious Philip Leverhulme Prize for the Performing Arts and in 2014 he was awarded a fellowship by the New York based Civitella Ranieri Foundation.